{"id":484,"date":"2021-12-13T14:11:45","date_gmt":"2021-12-13T14:11:45","guid":{"rendered":"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/?p=484"},"modified":"2021-12-13T15:40:17","modified_gmt":"2021-12-13T15:40:17","slug":"la-fenetre-et-larbre-comme-motifs","status":"publish","type":"post","link":"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/paulklee\/la-fenetre-et-larbre-comme-motifs\/","title":{"rendered":"La fen\u00eatre et l’arbre comme motifs"},"content":{"rendered":"\n

Article r\u00e9dig\u00e9 par Margot et Beatriz<\/p>\n\n\n\n

Nous avons regard\u00e9 la suite du film Tout ce que le ciel permet<\/em> de Douglas Sirk, 1955. Nous avons constat\u00e9 que le motif des fen\u00eatres \u00e9tait toujours pr\u00e9sent. Par exemple le moment o\u00f9 Ron et Cary sont dans le vieux moulin devant la baie vitr\u00e9e.<\/p>\n\n\n\n

In \u00ab\u00a0All Heaven Allows\u00a0\u00bb, we saw that the motif, the window, was still present. For example the moment when they are in the old mill in front of the bay window.<\/span><\/em><\/p>\n\n\n\n

\"\"<\/figure><\/div>\n\n\n\n

Dehors, il neige, il fait sombre, la baie vitr\u00e9e est givr\u00e9e : il n’y a pas d’espoir que leur relation continue.<\/p>\n\n\n\n

Outside, it is snowing, it is dark, that means there is not much hope in this relationship<\/span><\/em>.<\/p>\n\n\n\n

La fen\u00eatre \u00e0 la boucherie : Mona voit Cary dans la boucherie, elle y entre pour entendre leur discussion. Puis elle voit Cary monter dans la voiture de Ron. Le r\u00f4le de la fen\u00eatre c’est de contr\u00f4ler ce qu’elle fait, c’est le r\u00f4le social.<\/p>\n\n\n\n

The Window to the Butcher’s Shop: Mona sees Cary in the butcher’s shop, she walks in to hear their discussion. Then she sees Cary getting into Ron’s car. The role of the window is to control what she is doing. fact, that’s the social role.<\/span><\/em><\/p>\n\n\n\n

\"\"<\/figure><\/div>\n\n\n\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure><\/div>\n\n\n\n

M\u00eame chose ici, la fen\u00eatre sert \u00e0 regarder, \u00e9pier.<\/p>\n\n\n\n

Il y a toujours le motif des arbres, qui accompagne l’histoire du d\u00e9but \u00e0 la fin. Par exemple le moment o\u00f9 Cary ach\u00e8te un sapin de no\u00ebl :<\/p>\n\n\n\n

There is always the tree motif. When Cary buys a Christmas tree.<\/span><\/em><\/p>\n\n\n\n

\"\"<\/figure><\/div>\n\n\n\n

Les sapins sont morts, comme leur amour. Elle cherche un sapin grand et beau comme Ron.<\/p>\n\n\n\n

The trees are dead, like their love. She is looking for a big and beautiful tree like Ron<\/span><\/em>.<\/p>\n\n\n\n

L’arbre \u00e0 la fin, dernier plan du film, derri\u00e8re la baie vitr\u00e9e : le paysage est clair, la baie vitr\u00e9e n’est plus givr\u00e9e.<\/p>\n\n\n\n

The tree at the end, the last shot of the film, behind the window. The landscape is clear.<\/span><\/em><\/p>\n\n\n\n

\"\"<\/figure><\/div>\n","protected":false},"excerpt":{"rendered":"

Article r\u00e9dig\u00e9 par Margot et Beatriz Nous avons regard\u00e9 la suite du film Tout ce que le ciel permet de Douglas Sirk, 1955. Nous avons constat\u00e9 que le motif des fen\u00eatres \u00e9tait toujours pr\u00e9sent. Par exemple le moment o\u00f9 Ron … Continuer la lecture →<\/span><\/a><\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1,27],"tags":[],"_links":{"self":[{"href":"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-json\/wp\/v2\/posts\/484"}],"collection":[{"href":"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-json\/wp\/v2\/comments?post=484"}],"version-history":[{"count":7,"href":"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-json\/wp\/v2\/posts\/484\/revisions"}],"predecessor-version":[{"id":654,"href":"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-json\/wp\/v2\/posts\/484\/revisions\/654"}],"wp:attachment":[{"href":"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-json\/wp\/v2\/media?parent=484"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-json\/wp\/v2\/categories?post=484"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-json\/wp\/v2\/tags?post=484"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}