{"id":1784,"date":"2022-03-04T17:57:27","date_gmt":"2022-03-04T17:57:27","guid":{"rendered":"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/?p=1784"},"modified":"2022-04-26T12:08:29","modified_gmt":"2022-04-26T12:08:29","slug":"terceira-oficina","status":"publish","type":"post","link":"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/castelobranco\/terceira-oficina\/","title":{"rendered":"Os Motivos no cinema."},"content":{"rendered":"\n<p>Les Motifs au Cin\u00e9ma.<\/p>\n\n\n\n<p>Para compreender as diferentes maneiras de trabalhar os motivos, come\u00e7amos por ver como o pintor Henri Matisse trabalhou os <strong>Peixes Vermelhos<\/strong> em pinturas diferentes.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignright size-large is-resized\"><img loading=\"lazy\" src=\"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/03\/The-Goldfish-684x1024.jpg\" alt=\"\" class=\"wp-image-1717\" width=\"262\" height=\"392\" srcset=\"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/03\/The-Goldfish-684x1024.jpg 684w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/03\/The-Goldfish-200x300.jpg 200w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/03\/The-Goldfish-768x1150.jpg 768w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/03\/The-Goldfish.jpg 800w\" sizes=\"(max-width: 262px) 100vw, 262px\" \/><figcaption>Les Poissons Rouges, 1911, Henri Matisse<\/figcaption><\/figure><\/div>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" src=\"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/03\/Henri-Matisse-1914-Les-poissons-rouges.jpg\" alt=\"\" class=\"wp-image-1716\" width=\"275\" height=\"400\" srcset=\"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/03\/Henri-Matisse-1914-Les-poissons-rouges.jpg 440w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/03\/Henri-Matisse-1914-Les-poissons-rouges-206x300.jpg 206w\" sizes=\"(max-width: 275px) 100vw, 275px\" \/><figcaption>Int\u00e9rieur, bocal de poissons rouges ; 1914, Henri Matisse<\/figcaption><\/figure>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" src=\"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/03\/Henri-Matisse-Le-Chat-Aux-Poissons-Rouges-767x1024.jpg\" alt=\"\" class=\"wp-image-1718\" width=\"262\" height=\"349\" srcset=\"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/03\/Henri-Matisse-Le-Chat-Aux-Poissons-Rouges-767x1024.jpg 767w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/03\/Henri-Matisse-Le-Chat-Aux-Poissons-Rouges-225x300.jpg 225w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/03\/Henri-Matisse-Le-Chat-Aux-Poissons-Rouges-768x1025.jpg 768w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/03\/Henri-Matisse-Le-Chat-Aux-Poissons-Rouges.jpg 1020w\" sizes=\"(max-width: 262px) 100vw, 262px\" \/><figcaption>Le Chat aux Poissons Rouges, 1914, Henri Matisse<\/figcaption><\/figure><\/div>\n\n\n\n<p class=\"has-text-align-left\">Pour comprendre les diff\u00e9rentes fa\u00e7ons de travailler les motifs, on a commenc\u00e9 par voir comment le peintre Henri Matisse a travaill\u00e9 les <strong>Poissons Rouges<\/strong> dans diff\u00e9rentes peintures.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" src=\"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/03\/1-20211215-CCAJ-Povoa-3o-Sessao_PC150003-1024x683.jpg\" alt=\"\" class=\"wp-image-1800\" width=\"555\" height=\"369\" srcset=\"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/03\/1-20211215-CCAJ-Povoa-3o-Sessao_PC150003-1024x683.jpg 1024w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/03\/1-20211215-CCAJ-Povoa-3o-Sessao_PC150003-300x200.jpg 300w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/03\/1-20211215-CCAJ-Povoa-3o-Sessao_PC150003-768x512.jpg 768w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/03\/1-20211215-CCAJ-Povoa-3o-Sessao_PC150003-1536x1024.jpg 1536w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/03\/1-20211215-CCAJ-Povoa-3o-Sessao_PC150003-2048x1365.jpg 2048w\" sizes=\"(max-width: 555px) 100vw, 555px\" \/><figcaption>Je Rentre \u00e0 la maison (2001) Manuel de Oliveira<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" src=\"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/03\/Captura-de-ecra-2022-03-04-as-17.21.40-1024x618.png\" alt=\"\" class=\"wp-image-1804\" width=\"565\" height=\"341\" srcset=\"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/03\/Captura-de-ecra-2022-03-04-as-17.21.40-1024x618.png 1024w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/03\/Captura-de-ecra-2022-03-04-as-17.21.40-300x181.png 300w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/03\/Captura-de-ecra-2022-03-04-as-17.21.40-768x463.png 768w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/03\/Captura-de-ecra-2022-03-04-as-17.21.40-1536x927.png 1536w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/03\/Captura-de-ecra-2022-03-04-as-17.21.40-2048x1235.png 2048w\" sizes=\"(max-width: 565px) 100vw, 565px\" \/><figcaption>Je Rentre \u00e0 la maison (2001) Manuel de Oliveira<\/figcaption><\/figure>\n\n\n\n<p>Vimos v\u00e1rios excertos de filmes para entender as maneiras diferentes de trabalhar o motivo do <strong>espelho<\/strong>.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" src=\"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/03\/2-20211215-CCAJ-Povoa-3o-Sessao_PC150005-1024x683.jpg\" alt=\"\" class=\"wp-image-1801\" width=\"567\" height=\"377\" srcset=\"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/03\/2-20211215-CCAJ-Povoa-3o-Sessao_PC150005-1024x683.jpg 1024w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/03\/2-20211215-CCAJ-Povoa-3o-Sessao_PC150005-300x200.jpg 300w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/03\/2-20211215-CCAJ-Povoa-3o-Sessao_PC150005-768x512.jpg 768w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/03\/2-20211215-CCAJ-Povoa-3o-Sessao_PC150005-1536x1024.jpg 1536w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/03\/2-20211215-CCAJ-Povoa-3o-Sessao_PC150005-2048x1365.jpg 2048w\" sizes=\"(max-width: 567px) 100vw, 567px\" \/><figcaption>Peau d&rsquo;\u00e2ne (1971) Jacques Demy<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" src=\"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/03\/Captura-de-ecra-2022-03-04-as-17.18.16-1024x620.png\" alt=\"\" class=\"wp-image-1805\" width=\"569\" height=\"344\" srcset=\"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/03\/Captura-de-ecra-2022-03-04-as-17.18.16-1024x620.png 1024w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/03\/Captura-de-ecra-2022-03-04-as-17.18.16-300x182.png 300w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/03\/Captura-de-ecra-2022-03-04-as-17.18.16-768x465.png 768w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/03\/Captura-de-ecra-2022-03-04-as-17.18.16-1536x930.png 1536w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/03\/Captura-de-ecra-2022-03-04-as-17.18.16-2048x1240.png 2048w\" sizes=\"(max-width: 569px) 100vw, 569px\" \/><figcaption>Peau d&rsquo;\u00e2ne (1971) Jacques Demy<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" src=\"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/03\/5-20211215-CCAJ-Povoa-3o-Sessao_PC150009-1024x683.jpg\" alt=\"\" class=\"wp-image-1806\" width=\"572\" height=\"381\" srcset=\"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/03\/5-20211215-CCAJ-Povoa-3o-Sessao_PC150009-1024x683.jpg 1024w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/03\/5-20211215-CCAJ-Povoa-3o-Sessao_PC150009-300x200.jpg 300w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/03\/5-20211215-CCAJ-Povoa-3o-Sessao_PC150009-768x512.jpg 768w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/03\/5-20211215-CCAJ-Povoa-3o-Sessao_PC150009-1536x1024.jpg 1536w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/03\/5-20211215-CCAJ-Povoa-3o-Sessao_PC150009-2048x1365.jpg 2048w\" sizes=\"(max-width: 572px) 100vw, 572px\" \/><figcaption>Duck Soup (1933) Leo McCarey<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" src=\"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/03\/Captura-de-ecra-2022-03-04-as-17.14.43-1024x741.png\" alt=\"\" class=\"wp-image-1807\" width=\"576\" height=\"416\" srcset=\"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/03\/Captura-de-ecra-2022-03-04-as-17.14.43-1024x741.png 1024w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/03\/Captura-de-ecra-2022-03-04-as-17.14.43-300x217.png 300w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/03\/Captura-de-ecra-2022-03-04-as-17.14.43-768x556.png 768w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/03\/Captura-de-ecra-2022-03-04-as-17.14.43-1536x1111.png 1536w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/03\/Captura-de-ecra-2022-03-04-as-17.14.43-2048x1481.png 2048w\" sizes=\"(max-width: 576px) 100vw, 576px\" \/><figcaption>Duck Soup (1933) Leo McCarey<\/figcaption><\/figure>\n\n\n\n<p>On a vu des extraits de films pour comprendre les diff\u00e9rentes fa\u00e7ons de travailler le motif du <strong>miroir<\/strong>.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" src=\"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/03\/6-20211215-CCAJ-Povoa-3o-Sessao_PC150014-scaled.jpg\" alt=\"\" class=\"wp-image-1815\" width=\"578\" height=\"385\" srcset=\"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/03\/6-20211215-CCAJ-Povoa-3o-Sessao_PC150014-scaled.jpg 2560w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/03\/6-20211215-CCAJ-Povoa-3o-Sessao_PC150014-300x200.jpg 300w\" sizes=\"(max-width: 578px) 100vw, 578px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" src=\"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/03\/Captura-de-ecra-2022-03-04-as-17.23.10-1024x797.png\" alt=\"\" class=\"wp-image-1809\" width=\"576\" height=\"448\" srcset=\"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/03\/Captura-de-ecra-2022-03-04-as-17.23.10-1024x797.png 1024w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/03\/Captura-de-ecra-2022-03-04-as-17.23.10-300x233.png 300w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/03\/Captura-de-ecra-2022-03-04-as-17.23.10-768x597.png 768w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/03\/Captura-de-ecra-2022-03-04-as-17.23.10-1536x1195.png 1536w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/03\/Captura-de-ecra-2022-03-04-as-17.23.10-2048x1593.png 2048w\" sizes=\"(max-width: 576px) 100vw, 576px\" \/><figcaption>\u00c0 Bout de Souffle (1960) Jean-Luc Godard<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" src=\"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/03\/Captura-de-ecra-2022-03-04-as-17.23.42-1024x795.png\" alt=\"\" class=\"wp-image-1810\" width=\"577\" height=\"448\" srcset=\"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/03\/Captura-de-ecra-2022-03-04-as-17.23.42-1024x795.png 1024w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/03\/Captura-de-ecra-2022-03-04-as-17.23.42-300x233.png 300w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/03\/Captura-de-ecra-2022-03-04-as-17.23.42-768x597.png 768w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/03\/Captura-de-ecra-2022-03-04-as-17.23.42-1536x1193.png 1536w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/03\/Captura-de-ecra-2022-03-04-as-17.23.42-2048x1591.png 2048w\" sizes=\"(max-width: 577px) 100vw, 577px\" \/><figcaption>\u00c0 Bout de Souffle (1960) Jean-Luc Godard<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" src=\"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/03\/7-20211215-CCAJ-Povoa-3o-Sessao_PC150018-scaled.jpg\" alt=\"\" class=\"wp-image-1819\" width=\"579\" height=\"385\" srcset=\"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/03\/7-20211215-CCAJ-Povoa-3o-Sessao_PC150018-scaled.jpg 2560w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/03\/7-20211215-CCAJ-Povoa-3o-Sessao_PC150018-300x200.jpg 300w\" sizes=\"(max-width: 579px) 100vw, 579px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" src=\"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/03\/Captura-de-ecra-2022-03-04-as-17.08.44-1024x770.png\" alt=\"\" class=\"wp-image-1811\" width=\"581\" height=\"436\" srcset=\"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/03\/Captura-de-ecra-2022-03-04-as-17.08.44-1024x770.png 1024w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/03\/Captura-de-ecra-2022-03-04-as-17.08.44-300x226.png 300w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/03\/Captura-de-ecra-2022-03-04-as-17.08.44-768x578.png 768w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/03\/Captura-de-ecra-2022-03-04-as-17.08.44-1536x1155.png 1536w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/03\/Captura-de-ecra-2022-03-04-as-17.08.44-2048x1540.png 2048w\" sizes=\"(max-width: 581px) 100vw, 581px\" \/><figcaption>The Circus (1928) Charlie Chaplin<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" src=\"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/03\/Captura-de-ecra-2022-03-04-as-17.11.55-1024x768.png\" alt=\"\" class=\"wp-image-1812\" width=\"585\" height=\"438\" srcset=\"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/03\/Captura-de-ecra-2022-03-04-as-17.11.55-1024x768.png 1024w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/03\/Captura-de-ecra-2022-03-04-as-17.11.55-300x225.png 300w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/03\/Captura-de-ecra-2022-03-04-as-17.11.55-768x576.png 768w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/03\/Captura-de-ecra-2022-03-04-as-17.11.55-1536x1152.png 1536w\" sizes=\"(max-width: 585px) 100vw, 585px\" \/><figcaption>The Circus (1928) Charlie Chaplin<\/figcaption><\/figure>\n\n\n\n<p>Como era \u00e9poca de Natal, fizemos um pequeno exerc\u00edcio improvisado com a \u00e1rvore de Natal da escola.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" src=\"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/03\/8-20211215-CCAJ-Povoa-3o-Sessao_PC150021-scaled.jpg\" alt=\"\" class=\"wp-image-1813\" width=\"591\" height=\"393\" srcset=\"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/03\/8-20211215-CCAJ-Povoa-3o-Sessao_PC150021-scaled.jpg 2560w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/03\/8-20211215-CCAJ-Povoa-3o-Sessao_PC150021-300x200.jpg 300w\" sizes=\"(max-width: 591px) 100vw, 591px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" src=\"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/03\/9-20211215-CCAJ-Povoa-3o-Sessao_PC150022-scaled.jpg\" alt=\"\" class=\"wp-image-1820\" width=\"590\" height=\"393\" srcset=\"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/03\/9-20211215-CCAJ-Povoa-3o-Sessao_PC150022-scaled.jpg 2560w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/03\/9-20211215-CCAJ-Povoa-3o-Sessao_PC150022-300x200.jpg 300w\" sizes=\"(max-width: 590px) 100vw, 590px\" \/><\/figure>\n\n\n\n<p>Puisque c&rsquo;\u00e9tait No\u00ebl, on a fait un petit exercice improvis\u00e9 avec l&rsquo;arbre de No\u00ebl de l&rsquo;\u00e9cole.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" src=\"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/03\/10-20211215-CCAJ-Povoa-3o-Sessao_PC150024-scaled.jpg\" alt=\"\" class=\"wp-image-1821\" width=\"589\" height=\"392\" srcset=\"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/03\/10-20211215-CCAJ-Povoa-3o-Sessao_PC150024-scaled.jpg 2560w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/03\/10-20211215-CCAJ-Povoa-3o-Sessao_PC150024-300x200.jpg 300w\" sizes=\"(max-width: 589px) 100vw, 589px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" src=\"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/03\/13-20211215-CCAJ-Povoa-3o-Sessao_PC150032-scaled.jpg\" alt=\"\" class=\"wp-image-1822\" width=\"589\" height=\"392\" srcset=\"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/03\/13-20211215-CCAJ-Povoa-3o-Sessao_PC150032-scaled.jpg 2560w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/03\/13-20211215-CCAJ-Povoa-3o-Sessao_PC150032-300x200.jpg 300w\" sizes=\"(max-width: 589px) 100vw, 589px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" src=\"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/03\/12-20211215-CCAJ-Povoa-3o-Sessao_PC150031-scaled.jpg\" alt=\"\" class=\"wp-image-1823\" width=\"590\" height=\"393\" srcset=\"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/03\/12-20211215-CCAJ-Povoa-3o-Sessao_PC150031-scaled.jpg 2560w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/03\/12-20211215-CCAJ-Povoa-3o-Sessao_PC150031-300x200.jpg 300w\" sizes=\"(max-width: 590px) 100vw, 590px\" \/><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Les Motifs au Cin\u00e9ma. Para compreender as diferentes maneiras de trabalhar os motivos, come\u00e7amos por ver como o pintor Henri Matisse trabalhou os Peixes Vermelhos em pinturas diferentes. Pour comprendre les diff\u00e9rentes fa\u00e7ons de travailler les motifs, on a commenc\u00e9 &hellip; <a href=\"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/castelobranco\/terceira-oficina\/\">Continuer la lecture <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":22,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[26,1,27],"tags":[],"_links":{"self":[{"href":"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-json\/wp\/v2\/posts\/1784"}],"collection":[{"href":"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-json\/wp\/v2\/users\/22"}],"replies":[{"embeddable":true,"href":"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-json\/wp\/v2\/comments?post=1784"}],"version-history":[{"count":9,"href":"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-json\/wp\/v2\/posts\/1784\/revisions"}],"predecessor-version":[{"id":2454,"href":"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-json\/wp\/v2\/posts\/1784\/revisions\/2454"}],"wp:attachment":[{"href":"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-json\/wp\/v2\/media?parent=1784"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-json\/wp\/v2\/categories?post=1784"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-json\/wp\/v2\/tags?post=1784"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}