{"id":1713,"date":"2022-03-02T20:06:57","date_gmt":"2022-03-02T20:06:57","guid":{"rendered":"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/?p=1713"},"modified":"2022-03-04T17:00:01","modified_gmt":"2022-03-04T17:00:01","slug":"segunda-oficina-e-primeiro-exercicio-como-trabalhar-os-motivos","status":"publish","type":"post","link":"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/castelobranco\/segunda-oficina-e-primeiro-exercicio-como-trabalhar-os-motivos\/","title":{"rendered":"Primeiro exerc\u00edcio : como trabalhar os motivos?"},"content":{"rendered":"\n

Premier exercice : comment travailler les motifs? <\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Estudamos os diferentes g\u00e9neros no Cinema e como definir um g\u00e9nero.
Vimos quais s\u00e3o as diferen\u00e7as entre : drama, com\u00e9dia, com\u00e9dia dram\u00e1tica, com\u00e9dia rom\u00e2ntica, romance, fantasia, thriller, horror, melodrama, policial…<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Nous avons \u00e9tudi\u00e9 les diff\u00e9rents genres dans le Cin\u00e9ma et comment d\u00e9finir un genre.
On a vu quelles sont les diff\u00e9rences entre : drame, com\u00e9die, com\u00e9die dramatique, com\u00e9die romantique, romance, fantasie, thriller, horror, m\u00e9lodrame, policier…<\/p>\n\n\n\n

\"\"
Edward Scissorhands<\/em> (1990) Tim Burton<\/figcaption><\/figure>\n\n\n\n
\"\"
Edward Scissorhands<\/em> (1990) Tim Burton<\/figcaption><\/figure>\n\n\n\n

Vimos excertos dos seguintes filmes e os seus motivos :
\u2022As \u00e1rvores <\/strong>em \u00ab\u00a0Edward M\u00e3os de Tesoura\u00a0\u00bb (1990) de Tim Burton
\u2022 As janelas<\/strong> e o telefone<\/strong> em \u00ab\u00a0A mulher do lado\u00a0\u00bb (1981) de Fran\u00e7ois Truffaut 
\u2022 As janelas <\/strong>em \u00ab\u00a0Singularidade de uma rapariga loira\u00a0\u00bb (2009) de Manoel de Oliveira.<\/p>\n\n\n\n

\"\"
Edward Scissorhands<\/em> (1990) Tim Burton<\/figcaption><\/figure>\n\n\n\n
\"\"
Edward Scissorhands<\/em> (1990) Tim Burton<\/figcaption><\/figure>\n\n\n\n

On a vu des extraits des films suivants et analys\u00e9 leurs motifs :
\u2022Les arbres <\/strong>dans \u00ab\u00a0Edward aux Mains d’Argent\u00a0\u00bb (1990) de Tim Burton
\u2022 Les fen\u00eatres<\/strong> et le tel\u00e9phone<\/strong> dans \u00ab\u00a0La femme d\u2019\u00e0 c\u00f4t\u00e9\u00a0\u00bb (1981) de Fran\u00e7ois Truffaut 
\u2022 Les fen\u00eatres<\/strong> <\/strong>dans \u00ab\u00a0Singularit\u00e9s d’une jeune fille blonde\u00a0\u00bb (2009) de Manoel de Oliveira.<\/p>\n\n\n\n

\"\"
\u00ab\u00a0La femme d\u2019\u00e0 c\u00f4t\u00e9\u00a0\u00bb (1981) Fran\u00e7ois Truffaut <\/figcaption><\/figure>\n\n\n\n
\"\"
\u00ab\u00a0La femme d\u2019\u00e0 c\u00f4t\u00e9\u00a0\u00bb (1981) Fran\u00e7ois Truffaut <\/figcaption><\/figure>\n\n\n\n
\"\"
\u00ab\u00a0Singularidade de uma rapariga loira\u00a0\u00bb (2009) Manoel de Oliveira.<\/figcaption><\/figure>\n\n\n\n
\"\"
\u00ab\u00a0Singularidade de uma rapariga loira\u00a0\u00bb (2009) Manoel de Oliveira.<\/figcaption><\/figure>\n\n\n\n
\"\"
\u00ab\u00a0Singularidade de uma rapariga loira\u00a0\u00bb (2009) Manoel de Oliveira.<\/figcaption><\/figure>\n\n\n\n

Depois come\u00e7amos a trabalhar no Primeiro Exerc\u00edcio<\/strong> : escolhemos um objecto que t\u00ednhamos connosco e cada um filmou, com o seu pr\u00f3prio telem\u00f3vel, esse mesmo \u201cmotivo\u201d com uma janela do liceu, tamb\u00e9m escolhida por n\u00f3s.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n

Ensuite ont commenc\u00e9 \u00e0 travailler sur le Premier Exercice<\/strong> : nous avons choisi un object qu’on avait avec nous et chacun a film\u00e9, avec son propre t\u00e9l\u00e9phone, ce \u00ab\u00a0motif\u00a0\u00bb avec une fen\u00eatre du Lyc\u00e9e, que nous avons aussi choisi nous-m\u00eames.<\/p>\n\n\n\n

\"\"<\/figure>\n","protected":false},"excerpt":{"rendered":"

Premier exercice : comment travailler les motifs? Estudamos os diferentes g\u00e9neros no Cinema e como definir um g\u00e9nero. Vimos quais s\u00e3o as diferen\u00e7as entre : drama, com\u00e9dia, com\u00e9dia dram\u00e1tica, com\u00e9dia rom\u00e2ntica, romance, fantasia, thriller, horror, melodrama, policial… Nous avons \u00e9tudi\u00e9 … Continuer la lecture →<\/span><\/a><\/p>\n","protected":false},"author":22,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1,24,27],"tags":[],"_links":{"self":[{"href":"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-json\/wp\/v2\/posts\/1713"}],"collection":[{"href":"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-json\/wp\/v2\/users\/22"}],"replies":[{"embeddable":true,"href":"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-json\/wp\/v2\/comments?post=1713"}],"version-history":[{"count":15,"href":"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-json\/wp\/v2\/posts\/1713\/revisions"}],"predecessor-version":[{"id":1799,"href":"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-json\/wp\/v2\/posts\/1713\/revisions\/1799"}],"wp:attachment":[{"href":"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-json\/wp\/v2\/media?parent=1713"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-json\/wp\/v2\/categories?post=1713"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-json\/wp\/v2\/tags?post=1713"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}