{"id":1642,"date":"2022-03-04T07:23:00","date_gmt":"2022-03-04T07:23:00","guid":{"rendered":"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/?p=1642"},"modified":"2022-02-28T20:33:31","modified_gmt":"2022-02-28T20:33:31","slug":"sobre-o-excerto-de-vou-para-casa-2000-de-manuel-de-oliveira","status":"publish","type":"post","link":"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/camoes\/sobre-o-excerto-de-vou-para-casa-2000-de-manuel-de-oliveira\/","title":{"rendered":"Sobre o excerto de \u00ab\u00a0Vou Para Casa\u00a0\u00bb (2000) de Manuel de Oliveira."},"content":{"rendered":"\n<p>\u00c0 propos de l&rsquo;extrait de \u00ab\u00a0Je vais \u00e0 la maison\u00a0\u00bb (2000) de Manuel de Oliveira.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" src=\"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/02\/oliveira1-1024x640.png\" alt=\"\" class=\"wp-image-1687\" width=\"582\" height=\"363\" srcset=\"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/02\/oliveira1-1024x640.png 1024w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/02\/oliveira1-300x188.png 300w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/02\/oliveira1-768x480.png 768w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/02\/oliveira1-1536x960.png 1536w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/02\/oliveira1-2048x1280.png 2048w\" sizes=\"(max-width: 582px) 100vw, 582px\" \/><figcaption>\u00ab\u00a0Je vais \u00e0 la maison\u00a0\u00bb (2000) Manuel de Oliveira.<\/figcaption><\/figure>\n\n\n\n<p>Nos outros excertos as pessoas est\u00e3o sozinhas, na sua intimidade, e est\u00e3o a olhar para o espelho porque querem. Aqui o homem \u00e9 posto em frente ao espelho, num contexto profissional e o espelho n\u00e3o o reflete apenas a ele, mas tamb\u00e9m a maquilhadora e o cabeleireiro que se servem do espelho para olhar para ele, n\u00e3o para si pr\u00f3prias. <\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" src=\"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/02\/oliveira2-1024x640.png\" alt=\"\" class=\"wp-image-1688\" width=\"588\" height=\"367\" srcset=\"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/02\/oliveira2-1024x640.png 1024w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/02\/oliveira2-300x188.png 300w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/02\/oliveira2-768x480.png 768w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/02\/oliveira2-1536x960.png 1536w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/02\/oliveira2-2048x1280.png 2048w\" sizes=\"(max-width: 588px) 100vw, 588px\" \/><figcaption>\u00ab\u00a0Je vais \u00e0 la maison\u00a0\u00bb (2000) Manuel de Oliveira.<\/figcaption><\/figure>\n\n\n\n<p>No entanto \u00e9 uma cena muito \u00edntima: a de um homem que se confronta com a sua velhice e que para trabalhar se deixa caracterizar de homem mais jovem. Ele evita olhar para o espelho, n\u00e3o porque n\u00e3o se queira ver transformado em jovem, mas porque o ser transformado em jovem s\u00f3 lhe mostra que est\u00e1 velho. Ele fecha os olhos. Talvez se esteja a preparar para encarar isso, talvez se esteja a preparar para se transformar nesse homem mais jovem, a sua personagem.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" src=\"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/02\/oliveira3-1024x640.png\" alt=\"\" class=\"wp-image-1689\" width=\"608\" height=\"379\" srcset=\"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/02\/oliveira3-1024x640.png 1024w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/02\/oliveira3-300x188.png 300w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/02\/oliveira3-768x480.png 768w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/02\/oliveira3-1536x960.png 1536w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/02\/oliveira3-2048x1280.png 2048w\" sizes=\"(max-width: 608px) 100vw, 608px\" \/><figcaption>\u00ab\u00a0Je vais \u00e0 la maison\u00a0\u00bb (2000) Manuel de Oliveira.<\/figcaption><\/figure>\n\n\n\n<p>Dans les autres extraits les personnes sont seules, dans leur intimit\u00e9, et ils regardent le miroir parce qu&rsquo;ils le veulent. Ici on met l&rsquo;homme face au miroir, dans un contexte professionnel et il n&rsquo;y a pas que lui qui est refl\u00e9t\u00e9 dans le miroir, mais aussi la maquilleuse et le coiffeur qui se servent du miroir pour le regarder lui, et non soi-m\u00eames. <\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" src=\"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/02\/oliveira4-1024x640.png\" alt=\"\" class=\"wp-image-1690\" width=\"618\" height=\"385\" srcset=\"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/02\/oliveira4-1024x640.png 1024w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/02\/oliveira4-300x188.png 300w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/02\/oliveira4-768x480.png 768w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/02\/oliveira4-1536x960.png 1536w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/02\/oliveira4-2048x1280.png 2048w\" sizes=\"(max-width: 618px) 100vw, 618px\" \/><figcaption>\u00ab\u00a0Je vais \u00e0 la maison\u00a0\u00bb (2000) Manuel de Oliveira.<\/figcaption><\/figure>\n\n\n\n<p>Cependant c&rsquo;est une sc\u00e8ne tr\u00e8s intime : d&rsquo;un homme qui se confronte \u00e0 sa vieillesse et qui pour travailler se laisse caract\u00e9riser en un homme plus jeune. Il evite se regarder dans le miroir, pas pour ne pas se voir transform\u00e9 en plus jeune, mais car l&rsquo;\u00eatre transform\u00e9 en plus jeune ne lui montre qu&rsquo;il est vieux. Il ferme les yeux. Peut-\u00eatre qu&rsquo;il se prepare pour y faire face, peut-\u00eatre qu&rsquo;il se pr\u00e9pare pour se transformer en cet homme plus jeune, son personnage. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00c0 propos de l&rsquo;extrait de \u00ab\u00a0Je vais \u00e0 la maison\u00a0\u00bb (2000) de Manuel de Oliveira. Nos outros excertos as pessoas est\u00e3o sozinhas, na sua intimidade, e est\u00e3o a olhar para o espelho porque querem. Aqui o homem \u00e9 posto em &hellip; <a href=\"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/camoes\/sobre-o-excerto-de-vou-para-casa-2000-de-manuel-de-oliveira\/\">Continuer la lecture <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":24,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-json\/wp\/v2\/posts\/1642"}],"collection":[{"href":"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-json\/wp\/v2\/users\/24"}],"replies":[{"embeddable":true,"href":"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-json\/wp\/v2\/comments?post=1642"}],"version-history":[{"count":3,"href":"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-json\/wp\/v2\/posts\/1642\/revisions"}],"predecessor-version":[{"id":1691,"href":"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-json\/wp\/v2\/posts\/1642\/revisions\/1691"}],"wp:attachment":[{"href":"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-json\/wp\/v2\/media?parent=1642"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-json\/wp\/v2\/categories?post=1642"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-json\/wp\/v2\/tags?post=1642"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}