{"id":1640,"date":"2022-03-02T16:24:00","date_gmt":"2022-03-02T16:24:00","guid":{"rendered":"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/?p=1640"},"modified":"2022-03-03T13:03:06","modified_gmt":"2022-03-03T13:03:06","slug":"sobre-os-excertos-de-bigger-than-life-1956-de-nicholas-ray","status":"publish","type":"post","link":"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/camoes\/sobre-os-excertos-de-bigger-than-life-1956-de-nicholas-ray\/","title":{"rendered":"Sobre os excertos de Bigger Than Life (1956) de Nicholas Ray."},"content":{"rendered":"\n
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\u00ab\u00a0Bigger Than Life\u00a0\u00bb (1956) Nicholas Ray<\/figcaption><\/figure>\n\n\n\n

Ele est\u00e1 a observar-se ao espelho, faz pose, sorri, pega na toalha e p\u00f5e-na ao pesco\u00e7o como um len\u00e7o, parece que est\u00e1 a imaginar alguma coisa, e quando a mulher aparece ele disfar\u00e7a.<\/p>\n\n\n\n

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\u00ab\u00a0Bigger Than Life\u00a0\u00bb (1956) Nicholas Ray<\/figcaption><\/figure>\n\n\n\n

Ele est\u00e1 envolvido numa ilus\u00e3o e quando o espelho se quebra essa ilus\u00e3o quebra-se. Ele agarra-se a si pr\u00f3prio, como se ele pr\u00f3prio se tivesse estilha\u00e7ado ou para confirmar que n\u00e3o se estilha\u00e7ou, com receio de que a imagem que v\u00ea refletida no espelho partido seja a imagem de si pr\u00f3prio.<\/p>\n\n\n\n

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\u00ab\u00a0Bigger Than Life\u00a0\u00bb (1956) Nicholas Ray<\/figcaption><\/figure>\n\n\n\n

No segundo excerto ele evita olhar para o espelho, mas os comprimidos est\u00e3o atr\u00e1s do espelho. At\u00e9 a\u00ed o plano n\u00e3o nos mostra o seu reflexo, s\u00f3 quando ele fecha a porta-espelho do arm\u00e1rio, muda o plano e vemos ele a confrontar-se com o seu reflexo, a imagem de um homem partido, desfigurado.<\/p>\n\n\n\n

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\u00ab\u00a0Bigger Than Life\u00a0\u00bb (1956) Nicholas Ray<\/figcaption><\/figure>\n\n\n\n

\u00c0 propos des extraits de Bigger Than Life (1956) de Nicholas Ray.<\/p>\n\n\n\n

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\u00ab\u00a0Bigger Than Life\u00a0\u00bb (1956) Nicholas Ray<\/figcaption><\/figure>\n\n\n\n

Il s’observe au miroir, fait des poses, sourit, prend la serviette et la met au cou comme un foulard, il semble qu’il imagine quelque chose, et quand la femme appara\u00eet, il dissimule. <\/p>\n\n\n\n

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\u00ab\u00a0Bigger Than Life\u00a0\u00bb (1956) Nicholas Ray<\/figcaption><\/figure>\n\n\n\n

Il est envout\u00e9 dans une illusion et quand le miroir se casse, l’illusion est cass\u00e9e. Il s’accroche \u00e0 lui-m\u00eame, comme s’il s’\u00e9tait bris\u00e9 ou pour confirmer qu’il ne s’est pas bris\u00e9, de peur que l’image qu’il voit refl\u00e9t\u00e9e dans le miroir cass\u00e9 soit l’image de lui-m\u00eame.<\/p>\n\n\n\n

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\u00ab\u00a0Bigger Than Life\u00a0\u00bb (1956) Nicholas Ray<\/figcaption><\/figure>\n\n\n\n

Dans le deuxi\u00e8me extrait il evite de se regarder dans le miroir, mais les tablettes se trouvent derri\u00e8re le miroir. Jusque l\u00e0 le plan ne nous montre pas son reflet, ce n’est que quand il ferme le porte-miroir d’armoire, le plan change et on le voit se confronter \u00e0 son r\u00e9flexe, l’image d’un homme cass\u00e9, d\u00e9figur\u00e9. <\/p>\n\n\n\n

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\u00ab\u00a0Bigger Than Life\u00a0\u00bb (1956) Nicholas Ray<\/figcaption><\/figure>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Ele est\u00e1 a observar-se ao espelho, faz pose, sorri, pega na toalha e p\u00f5e-na ao pesco\u00e7o como um len\u00e7o, parece que est\u00e1 a imaginar alguma coisa, e quando a mulher aparece ele disfar\u00e7a. Ele est\u00e1 envolvido numa ilus\u00e3o e quando … Continuer la lecture →<\/span><\/a><\/p>\n","protected":false},"author":24,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-json\/wp\/v2\/posts\/1640"}],"collection":[{"href":"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-json\/wp\/v2\/users\/24"}],"replies":[{"embeddable":true,"href":"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-json\/wp\/v2\/comments?post=1640"}],"version-history":[{"count":4,"href":"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-json\/wp\/v2\/posts\/1640\/revisions"}],"predecessor-version":[{"id":1767,"href":"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-json\/wp\/v2\/posts\/1640\/revisions\/1767"}],"wp:attachment":[{"href":"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-json\/wp\/v2\/media?parent=1640"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-json\/wp\/v2\/categories?post=1640"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-json\/wp\/v2\/tags?post=1640"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}