{"id":1638,"date":"2022-02-28T17:13:33","date_gmt":"2022-02-28T17:13:33","guid":{"rendered":"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/?p=1638"},"modified":"2022-02-28T17:14:44","modified_gmt":"2022-02-28T17:14:44","slug":"sobre-o-excerto-de-baiser-volees-de-francois-truffaut","status":"publish","type":"post","link":"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/camoes\/sobre-o-excerto-de-baiser-volees-de-francois-truffaut\/","title":{"rendered":"Sobre o excerto de Baiser Vol\u00e9es (1986) de Fran\u00e7ois Truffaut."},"content":{"rendered":"\n

\u00c0 propos de l’extrait de Baiser Vol\u00e9es (1968) de Fran\u00e7ois Truffaut.<\/p>\n\n\n\n

N\u00e3o \u00e9 uma cena aborrecida, apesar da repeti\u00e7\u00e3o.
Porque \u00e9 que ele est\u00e1 a repetir os nomes? Parece que est\u00e1 a cruzar as sonoridades, ver como se misturam. Ver qual dos nomes soa melhor, como se as comparasse. Talvez esteja a tentar tirar peso aos nomes repetindo-os. Talvez esteja a tentar lidar com alguma coisa ligada a esses nomes \u2013 como no Admir\u00e1vel Mundo Novo<\/em> (Aldous Huxley, 1932)  acontece com o contar a mordidela da cobra. Como se estivesse a tentar desprender-se delas, perder a rea\u00e7\u00e3o ao nome delas. <\/p>\n\n\n\n

\"\"
\u00ab\u00a0Baisers Vol\u00e9s\u00a0\u00bb (1968) Fran\u00e7ois Truffaut<\/figcaption><\/figure>\n\n\n\n

It’s not a boring scene, despite the repetition.
Why is he repeating the names ? It seems like he’s crossing sonorities, to see how they mix up together. To check out which name sounds better, as if he was comparing them. Maybe he’s trying to take some weight out of the names by repeating them. Maybe he’s trying to deal with something connected to these names – like in Brave New World (Aldous Huxley, 1932) with the counting of the snake bites. It’s as if he was trying to get rid of them, by losing the reaction he has to their names. <\/p>\n\n\n\n

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\u00ab\u00a0Baisers Vol\u00e9s\u00a0\u00bb (1968) Fran\u00e7ois Truffaut<\/figcaption><\/figure>\n\n\n\n

Ele parece estar em transe, a fixar os olhos no espelho \u2013 sem piscar os olhos – e a repetir os nomes sem parar. Parece apanhado por uma obsess\u00e3o e o contato visual consigo pr\u00f3prio no espelho permite observar-se nisso e ao mesmo tempo estar do lado de fora. Est\u00e1 a confrontar-se consigo pr\u00f3prio, a ver como reage a cada nome das mulheres, e depois repete o seu pr\u00f3prio nome, para voltar a si e tem de deixar de se olhar no espelho. S\u00f3 quando molha a cara se consegue despegar.<\/p>\n\n\n\n

\"\"
\u00ab\u00a0Baisers Vol\u00e9s\u00a0\u00bb (1968) Fran\u00e7ois Truffaut<\/figcaption><\/figure>\n\n\n\n

It looks like he’s in a trance, fixing his eyes on the mirror – without blinking – and repeating the names non-stop. He seems takes over by an obsession and the eye-contact he keeps with himself through the window allows him to observe himself while being outside of it. He’s confronting himself, to see how he reacts to the name of each woman, he then repeats his own name, to come back to himself and he has to stop looking at himself. It’s only when he washes his face that he manages to let it go. <\/p>\n\n\n\n

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\u00ab\u00a0Baisers Vol\u00e9s\u00a0\u00bb (1968) Fran\u00e7ois Truffaut<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

\u00c0 propos de l’extrait de Baiser Vol\u00e9es (1968) de Fran\u00e7ois Truffaut. N\u00e3o \u00e9 uma cena aborrecida, apesar da repeti\u00e7\u00e3o. Porque \u00e9 que ele est\u00e1 a repetir os nomes? Parece que est\u00e1 a cruzar as sonoridades, ver como se misturam. Ver … Continuer la lecture →<\/span><\/a><\/p>\n","protected":false},"author":24,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-json\/wp\/v2\/posts\/1638"}],"collection":[{"href":"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-json\/wp\/v2\/users\/24"}],"replies":[{"embeddable":true,"href":"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-json\/wp\/v2\/comments?post=1638"}],"version-history":[{"count":5,"href":"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-json\/wp\/v2\/posts\/1638\/revisions"}],"predecessor-version":[{"id":1677,"href":"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-json\/wp\/v2\/posts\/1638\/revisions\/1677"}],"wp:attachment":[{"href":"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-json\/wp\/v2\/media?parent=1638"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-json\/wp\/v2\/categories?post=1638"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-json\/wp\/v2\/tags?post=1638"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}