{"id":1609,"date":"2022-02-28T15:08:54","date_gmt":"2022-02-28T15:08:54","guid":{"rendered":"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/?p=1609"},"modified":"2022-02-28T15:08:54","modified_gmt":"2022-02-28T15:08:54","slug":"primeira-oficina-o-que-sao-os-motivos","status":"publish","type":"post","link":"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/castelobranco\/primeira-oficina-o-que-sao-os-motivos\/","title":{"rendered":"Primeira oficina : o que s\u00e3o os motivos ?"},"content":{"rendered":"\n

Premier atelier : Qu’est-ce que les motifs ?<\/p>\n\n\n\n

\"\"
\u00ab\u00a0Onde Fica a Casa do Meu Amigo ?\u00a0\u00bb (1987) Abbas Kiarostami<\/figcaption><\/figure>\n\n\n\n

Na primeira oficina fizemos muitas perguntas : Como se distingue um motivo num film ?
O que os faz ser motivos ? <\/p>\n\n\n\n

\"\"
\u00ab\u00a0Onde Fica a Casa do Meu Amigo ?\u00a0\u00bb (1987) Abbas Kiarostami<\/figcaption><\/figure>\n\n\n\n
\"\"
\u00ab\u00a0Onde Fica a Casa do Meu Amigo ?\u00a0\u00bb (1987) Abbas Kiarostami<\/figcaption><\/figure>\n\n\n\n

Dans le premier atelier on s’est pos\u00e9s beaucoup de questions : Comment on distingue un motif dans un film ? Qu’est ce qui le rend un motif ?<\/p>\n\n\n\n

\"\"
\u00ab\u00a0Onde Fica a Casa do Meu Amigo ?\u00a0\u00bb (1987) Abbas Kiarostami<\/figcaption><\/figure>\n\n\n\n

Para encontrar a resposta, come\u00e7amos por ver a \u00e1rvore<\/strong> como motivo cinematogr\u00e1ficos a trav\u00e9s de excertos de dois filmes de Abbas Kiarostami : \u00ab\u00a0Onde Fica a Casa do Meu Amigo ?\u00a0\u00bb(1987) e \u00ab\u00a0E a Vida Continua\u00a0\u00bb (1992).<\/p>\n\n\n\n

\"\"
\u00a0\u00bb E a Vida Continua\u00a0\u00bb (1992) Abbas Kiarostami<\/figcaption><\/figure>\n\n\n\n
\"\"
\u00ab\u00a0Onde Fica a Casa do Meu Amigo ?\u00a0\u00bb (1987) Abbas Kiarostami<\/figcaption><\/figure>\n\n\n\n

Pour trouver la r\u00e9ponse, on a commenc\u00e9 par voir l’arbre<\/strong> comme motif cin\u00e9matographique \u00e0 travers d’extraits de deux films de Abbas Kiarostami : \u00ab\u00a0O\u00fa Se Trouve la Maison de Mon Ami ?\u00a0\u00bb(1987) e \u00ab\u00a0Et la Vie Continue\u00a0\u00bb (1992).<\/p>\n\n\n\n

\"\"
\u00a0\u00bb E a Vida Continua\u00a0\u00bb (1992) Abbas Kiarostami<\/figcaption><\/figure>\n\n\n\n
\"\"
\u00a0\u00bb E a Vida Continua\u00a0\u00bb (1992) Abbas Kiarostami<\/figcaption><\/figure>\n\n\n\n

Vimos tamb\u00e9m o filme \u00ab\u00a0Telma, Amanh\u00e3\u00a0\u00bb (2005) da Anna da Palma e observamos os motivos principais do filme : o caderno<\/strong> de Telma, o banho de banheira<\/strong> e o side-car<\/strong>.<\/p>\n\n\n\n

\"\"
\u00ab\u00a0Telma, Demain\u00a0\u00bb (2005) Anna da Palma<\/figcaption><\/figure>\n\n\n\n
\"\"
\u00ab\u00a0Telma, Demain\u00a0\u00bb (2005) Anna da Palma<\/figcaption><\/figure>\n\n\n\n
\"\"
\u00ab\u00a0Telma, Demain\u00a0\u00bb (2005) Anna da Palma<\/figcaption><\/figure>\n\n\n\n
\"\"
\u00ab\u00a0Telma, Demain\u00a0\u00bb (2005) Anna da Palma<\/figcaption><\/figure>\n\n\n\n
\"\"
\u00ab\u00a0Telma, Demain\u00a0\u00bb (2005) Anna da Palma<\/figcaption><\/figure>\n\n\n\n

On a vu aussi le moyen-m\u00e9trage \u00ab\u00a0Telma, Demain\u00a0\u00bb (2005) de Anna da Palma et on a observ\u00e9 les motifs principaux du film : le cahier <\/strong>de Telma, le bain dans la baignoire<\/strong> et le side-car<\/strong>.<\/p>\n\n\n\n

\"\"
\u00ab\u00a0Telma, Demain\u00a0\u00bb (2005) Anna da Palma<\/figcaption><\/figure>\n\n\n\n
\"\"
\u00ab\u00a0Telma, Demain\u00a0\u00bb (2005) Anna da Palma<\/figcaption><\/figure>\n\n\n\n
\"\"
\u00ab\u00a0Telma, Demain\u00a0\u00bb (2005) Anna da Palma<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

Premier atelier : Qu’est-ce que les motifs ? Na primeira oficina fizemos muitas perguntas : Como se distingue um motivo num film ?O que os faz ser motivos ? Dans le premier atelier on s’est pos\u00e9s beaucoup de questions : … Continuer la lecture →<\/span><\/a><\/p>\n","protected":false},"author":22,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1,27],"tags":[],"_links":{"self":[{"href":"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-json\/wp\/v2\/posts\/1609"}],"collection":[{"href":"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-json\/wp\/v2\/users\/22"}],"replies":[{"embeddable":true,"href":"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-json\/wp\/v2\/comments?post=1609"}],"version-history":[{"count":5,"href":"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-json\/wp\/v2\/posts\/1609\/revisions"}],"predecessor-version":[{"id":1627,"href":"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-json\/wp\/v2\/posts\/1609\/revisions\/1627"}],"wp:attachment":[{"href":"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-json\/wp\/v2\/media?parent=1609"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-json\/wp\/v2\/categories?post=1609"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-json\/wp\/v2\/tags?post=1609"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}