{"id":1447,"date":"2022-02-21T12:27:13","date_gmt":"2022-02-21T12:27:13","guid":{"rendered":"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/?p=1447"},"modified":"2022-02-21T12:43:31","modified_gmt":"2022-02-21T12:43:31","slug":"o-motivo-da-pintura-ate-o-cinema","status":"publish","type":"post","link":"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/serpa\/o-motivo-da-pintura-ate-o-cinema\/","title":{"rendered":"O motivo da pintura at\u00e9 o cinema."},"content":{"rendered":"\n<p>Le motif de la peinture jusqu&rsquo;au cin\u00e9ma. <\/p>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" src=\"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/02\/Henri-Matisse-1914-Les-poissons-rouges.jpg\" alt=\"\" class=\"wp-image-1444\" width=\"383\" height=\"557\" srcset=\"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/02\/Henri-Matisse-1914-Les-poissons-rouges.jpg 440w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/02\/Henri-Matisse-1914-Les-poissons-rouges-206x300.jpg 206w\" sizes=\"(max-width: 383px) 100vw, 383px\" \/><figcaption>Int\u00e9rieur, bocal de poissons rouges ; 1914, Henri Matisse<\/figcaption><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<p>\u00ab\u00a0Um motivo \u00e9 a maneira que o artista tem de trabalhar algo da realidade com os seus meios art\u00edsticos.\u00a0\u00bb &#8211; Alain Bergala<\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" src=\"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/02\/The-Goldfish-684x1024.jpg\" alt=\"\" class=\"wp-image-1446\" width=\"389\" height=\"582\" srcset=\"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/02\/The-Goldfish-684x1024.jpg 684w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/02\/The-Goldfish-200x300.jpg 200w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/02\/The-Goldfish-768x1150.jpg 768w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/02\/The-Goldfish.jpg 800w\" sizes=\"(max-width: 389px) 100vw, 389px\" \/><figcaption>Les Poissons Rouges, 1911, Henri Matisse<\/figcaption><\/figure>\n\n\n\n<p>\u00ab\u00a0Un motif c&rsquo;est comment l&rsquo;artiste travaille quelque chose qui vient du r\u00e9el avec ses moyens artistiques.\u00a0\u00bb &#8211; Alain Bergala<\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" src=\"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/02\/Henri-Matisse-Le-Chat-Aux-Poissons-Rouges-767x1024.jpg\" alt=\"\" class=\"wp-image-1445\" width=\"373\" height=\"498\" srcset=\"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/02\/Henri-Matisse-Le-Chat-Aux-Poissons-Rouges-767x1024.jpg 767w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/02\/Henri-Matisse-Le-Chat-Aux-Poissons-Rouges-225x300.jpg 225w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/02\/Henri-Matisse-Le-Chat-Aux-Poissons-Rouges-768x1025.jpg 768w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/02\/Henri-Matisse-Le-Chat-Aux-Poissons-Rouges.jpg 1020w\" sizes=\"(max-width: 373px) 100vw, 373px\" \/><figcaption>Le Chat aux Poissons Rouges, 1914, Henri Matisse<\/figcaption><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" src=\"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/02\/Poissons-rouges-et-sculpture-Huile-sur-Toile-1-890x1024.png\" alt=\"\" class=\"wp-image-1443\" width=\"376\" height=\"432\" srcset=\"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/02\/Poissons-rouges-et-sculpture-Huile-sur-Toile-1-890x1024.png 890w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/02\/Poissons-rouges-et-sculpture-Huile-sur-Toile-1-261x300.png 261w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/02\/Poissons-rouges-et-sculpture-Huile-sur-Toile-1-768x883.png 768w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/02\/Poissons-rouges-et-sculpture-Huile-sur-Toile-1.png 905w\" sizes=\"(max-width: 376px) 100vw, 376px\" \/><figcaption>Les Poissons Rouges, Henri Matisse<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" src=\"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/02\/1-20211022-CCAJ-Serpa-1a-Sessao_PA220003-1024x683.jpg\" alt=\"\" class=\"wp-image-1451\" width=\"544\" height=\"362\" srcset=\"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/02\/1-20211022-CCAJ-Serpa-1a-Sessao_PA220003-1024x683.jpg 1024w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/02\/1-20211022-CCAJ-Serpa-1a-Sessao_PA220003-300x200.jpg 300w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/02\/1-20211022-CCAJ-Serpa-1a-Sessao_PA220003-768x512.jpg 768w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/02\/1-20211022-CCAJ-Serpa-1a-Sessao_PA220003-1536x1024.jpg 1536w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/02\/1-20211022-CCAJ-Serpa-1a-Sessao_PA220003-2048x1365.jpg 2048w\" sizes=\"(max-width: 544px) 100vw, 544px\" \/><\/figure>\n\n\n\n<p>Vimos juntos excertos do filme \u00ab\u00a0Tudo o Que o C\u00e9u Permite\u00a0\u00bb (1955) de Douglas Kirk, onde analis\u00e1mos a sua maneira de trabalhar a \u00c1rvore e a Janela.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" src=\"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/02\/All-that-heaven-allows-2-1024x578.jpg\" alt=\"\" class=\"wp-image-1454\" width=\"558\" height=\"315\" srcset=\"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/02\/All-that-heaven-allows-2-1024x578.jpg 1024w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/02\/All-that-heaven-allows-2-300x169.jpg 300w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/02\/All-that-heaven-allows-2-768x433.jpg 768w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/02\/All-that-heaven-allows-2-1536x867.jpg 1536w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/02\/All-that-heaven-allows-2-2048x1156.jpg 2048w\" sizes=\"(max-width: 558px) 100vw, 558px\" \/><figcaption>All That Heaven Allows, 1955, Douglas Sirk<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" src=\"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/02\/All-that-heaven-allows-3-1024x577.jpg\" alt=\"\" class=\"wp-image-1455\" width=\"562\" height=\"316\" srcset=\"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/02\/All-that-heaven-allows-3-1024x577.jpg 1024w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/02\/All-that-heaven-allows-3-300x169.jpg 300w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/02\/All-that-heaven-allows-3-768x432.jpg 768w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/02\/All-that-heaven-allows-3-1536x865.jpg 1536w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/02\/All-that-heaven-allows-3-2048x1153.jpg 2048w\" sizes=\"(max-width: 562px) 100vw, 562px\" \/><figcaption>All That Heaven Allows, 1955, Douglas Sirk<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" src=\"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/02\/all-that-heaven-allows-1-1024x640.jpg\" alt=\"\" class=\"wp-image-1453\" width=\"564\" height=\"351\" \/><figcaption>All That Heaven Allows, 1955, Douglas Sirk<\/figcaption><\/figure>\n\n\n\n<p>On a vu ensemble des extraits de \u00ab\u00a0Tout Ce Que Le Ciel Permet\u00a0\u00bb (1955) de Douglas Sirk, o\u00f9 on a pu analyser sa fa\u00e7on de travailler l&rsquo;Arbre et la Fen\u00eatre.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" src=\"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/02\/All-that-heaven-allows-4-1024x584.jpg\" alt=\"\" class=\"wp-image-1456\" width=\"579\" height=\"330\" srcset=\"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/02\/All-that-heaven-allows-4-1024x584.jpg 1024w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/02\/All-that-heaven-allows-4-300x171.jpg 300w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/02\/All-that-heaven-allows-4-768x438.jpg 768w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/02\/All-that-heaven-allows-4-1536x876.jpg 1536w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/02\/All-that-heaven-allows-4-2048x1168.jpg 2048w\" sizes=\"(max-width: 579px) 100vw, 579px\" \/><figcaption>All That Heaven Allows, 1955, Douglas Sirk<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" src=\"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/02\/2-20211022-CCAJ-Serpa-1a-Sessao_PA220017-1024x683.jpg\" alt=\"\" class=\"wp-image-1457\" width=\"591\" height=\"393\" srcset=\"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/02\/2-20211022-CCAJ-Serpa-1a-Sessao_PA220017-1024x683.jpg 1024w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/02\/2-20211022-CCAJ-Serpa-1a-Sessao_PA220017-300x200.jpg 300w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/02\/2-20211022-CCAJ-Serpa-1a-Sessao_PA220017-768x512.jpg 768w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/02\/2-20211022-CCAJ-Serpa-1a-Sessao_PA220017-1536x1024.jpg 1536w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/02\/2-20211022-CCAJ-Serpa-1a-Sessao_PA220017-2048x1365.jpg 2048w\" sizes=\"(max-width: 591px) 100vw, 591px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" src=\"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/02\/5-all-that-heaven-allows-1024x631.jpg\" alt=\"\" class=\"wp-image-1459\" width=\"595\" height=\"365\" \/><figcaption>All That Heaven Allows, 1955, Douglas Sirk<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" src=\"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/02\/6-all-that-heaven-allows-1024x640.jpg\" alt=\"\" class=\"wp-image-1460\" width=\"601\" height=\"375\" srcset=\"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/02\/6-all-that-heaven-allows-1024x640.jpg 1024w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/02\/6-all-that-heaven-allows-300x188.jpg 300w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/02\/6-all-that-heaven-allows-768x480.jpg 768w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/02\/6-all-that-heaven-allows-1536x960.jpg 1536w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/02\/6-all-that-heaven-allows-2048x1280.jpg 2048w\" sizes=\"(max-width: 601px) 100vw, 601px\" \/><figcaption>All That Heaven Allows, 1955, Douglas Sirk<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" src=\"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/02\/7-all-that-heaven-allows-1024x640.jpg\" alt=\"\" class=\"wp-image-1461\" width=\"607\" height=\"379\" srcset=\"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/02\/7-all-that-heaven-allows-1024x640.jpg 1024w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/02\/7-all-that-heaven-allows-300x188.jpg 300w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/02\/7-all-that-heaven-allows-768x480.jpg 768w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/02\/7-all-that-heaven-allows-1536x960.jpg 1536w, http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-content\/uploads\/2022\/02\/7-all-that-heaven-allows-2048x1280.jpg 2048w\" sizes=\"(max-width: 607px) 100vw, 607px\" \/><figcaption>All That Heaven Allows, 1955, Douglas Sirk<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Le motif de la peinture jusqu&rsquo;au cin\u00e9ma. \u00ab\u00a0Um motivo \u00e9 a maneira que o artista tem de trabalhar algo da realidade com os seus meios art\u00edsticos.\u00a0\u00bb &#8211; Alain Bergala \u00ab\u00a0Un motif c&rsquo;est comment l&rsquo;artiste travaille quelque chose qui vient du &hellip; <a href=\"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/serpa\/o-motivo-da-pintura-ate-o-cinema\/\">Continuer la lecture <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":25,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-json\/wp\/v2\/posts\/1447"}],"collection":[{"href":"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-json\/wp\/v2\/users\/25"}],"replies":[{"embeddable":true,"href":"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-json\/wp\/v2\/comments?post=1447"}],"version-history":[{"count":7,"href":"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-json\/wp\/v2\/posts\/1447\/revisions"}],"predecessor-version":[{"id":1468,"href":"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-json\/wp\/v2\/posts\/1447\/revisions\/1468"}],"wp:attachment":[{"href":"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-json\/wp\/v2\/media?parent=1447"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-json\/wp\/v2\/categories?post=1447"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/lesmotifs.blogcinemacentansdejeunesse.org\/blog\/wp-json\/wp\/v2\/tags?post=1447"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}